Political Existences is a series of portraits celebrating the diversity of the transgender community while questioning definitions of visibility and representation. Born from a collaboration with LGBTQ+ charity Spectra, this work is the culmination of a year of work photographing and interviewing transgender people from different backgrounds, ages, abilities and countries for the Trans Day of Visibility 2020. This international day, celebrated every 31st of March, is a reminder of the struggle that transgender people still face for acceptance and for their rights. Although the media heighten visibility for the transgender community (with famous trans stars playing roles in major films and trans models walking the runaway of the Fashion Weeks, or award-winning TV shows like Pose), transphobia still discriminates and kills our community on a daily basis.
Choosing the street as the primary setting for these portraits was not a coincidence. The question I asked was: is the street a safe place for all of us?
The bodies of transgender people are political. Their life is constantly judged, the most common experiences like using a public toilet or walking in the street can be an everyday struggle. They do not experience the street with the same peace of mind a cisgender person does. When transgender people walk in the street, they are often looked at, called names and, in sad cases, aggressed and killed.
By photographing the models in the middle of the road, I questioned the viewers' relative privilege and position. The big-scale portraits look back at the viewer, exposing them and forcing the same vulnerability onto them. The goal of this series was not to accuse but to create a space where a visual dialogue between the viewer and the work can occur, a space for education and exchange, a space for the actual celebration of diversity.